Zappa why does it hurt when i pee tab

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Bars form a little sequence, with a figure being transposed upwards. First with a minor second, next with a major second. In this case a sentimental ballad, a slow love song following easy patterns. It's yet another example of him doing exactly what he himself claimed to dislike. This is a recurrent factor in his output, that can be confusing.

This particular song is also an example of reggae. Some of its elements are related to "Sy Borg" see below , but that latter song is harmonically far more complex. Lucille has messed my mind up, opening midi file. Lucille has messed my mind up, opening and main themes transcription. The instrumental opening, bars , is using a subset of six notes from this scale.

You have to wait till bar 9 to know that the song is in minor for certain. Four beats can get subdivided into two or three ticks. The basis is the reggae rhythm by the bass and the two rhythms guitars. Ludwig, page , transcribed the lead melody of the two themes, that I've added to the example to show the polyrhythms more explicitly. Then you get triplets all the time or - when applicable - a note that two eighth notes should actually be played as a triplet a fourth and an eighth note. These are all valid notational variants, but what's more simple than noting that four times three is twelve.

The reggae rhythm, that Zappa is using here, is standard. There's a weak downbeat and a stronger accent on the third beat. The rhythms guitars are playing two ticks on beats two and four. The outlines of the song go as: - Bars contain the instrumental opening bars, introducing the reggae rhythm.

The keyboard players are improvising during the intro. Bars feature most of theme 1. It's sung over a chord progression.

So it comes to rest upon the tonic at the end, rather than at the beginning. On the original vinyl album the "Scrutinizer postlude" was part of the previous song. They got separated on the CD version. At the end he introduces the L. Ron Hoover character, head of the Church of Appliantology. His name is a contraction of L. Ron Hubbard, founder of the Scientology church, and J. Edgar Hoover, former head of the FBI.

Hoover might also be a reference to the Hoover vacuum cleaner, shown on both the "Chunga's revenge" and "Joe's garage" album covers. The others are "Lucille has messed my mind up" and "Sy Borg", these last two with a slow reggae rhythm underneath them.

With different lyrics you could call these songs ballads. See the One shot deal section for the "On the bus" solo. II" release. A bit later on, starting at , you can also hear a II-I progression being used at the pick-up point, G m-5 - F m. Both Napoleon Murphy Brock and George Duke had the ability to improvise lyrics combining understandable parts with meaningless and strangely pronounced text blocks. It creates an illusion of an interesting story being told and you're blaming yourself for not understanding it to the full.

You can listen to it again and the same thing reiterates. IV", for which songs they get most of the credit. II", another such example " We don't want to press the issue too much folks, but the chances that you figuring out what he [George Duke] is going to say during the song are nil. In the midi file below the lyrics aren't included except for the three returning "Tush-tush-tush" notes that George and Napoleon jointly sing. Tush-tush-tush, opening midi file.

A token of my extreme, themes midi file. Tush-tush-tush, opening transcription. A token of my extreme, themes notes. The three pick-up notes with a VII-I progression in the "Tush-tush-tush" example form the starting point for theme I from "A token of my extreme". Its full melody is presented in bars It's also played over an F -E I-VII alternation by the bass, thus the same F minor key is used again, but the chords in this case are played softly in the background and are mostly used for harmonic fill-in.

The melody and the two bass pedal notes stand central. Bar 5, with just the Fmaj7 chord gliding downwards, makes the transition to theme II. The drummer beats syncopically through this bar: four dotted eighth notes, followed by two normal eighth on beat 4.

The remainder of the transcription is this second theme. It's made up of two phrases. The first, bars , gets played three times with variations. Bars are in A minor. In bars you have the minor variant with a major 7th G. In bar 8 you get the Aeolian variant with a minor 7th G natural. For bar 9 the music modulates to D Mixolydian. Bars are mostly identical, only some melody notes are different because the lyrics have a different amount of syllables.

In bars you get at a more serious variation. The notes for "cra-zy" are now B-G instead of an only a G. Notable is the chord used for the "-zy" syllable, namely Ab. Hence I've notated G as Ab at this instance. It implies a modulation, but the bass persists in playing A pedal, so a modulation doesn't actually take place. Bars form the second closing phrase of theme II. Bars continue with D Mixolydian. Bars contain improvised keyboard notes along the Dsus4 chord, played lightly.

The keyboard is now playing along Bsus2. At that point it was part of a sequence, known as the "sofa suite". See the Just another band from L. There you can find what the original reason was to partially sing the lyrics in German. When re-using this song for "Joe's garage", Zappa decided to keep this in and integrate it into the plot. The "sofa suite" remained unreleased for quite a while. To the left a sample from the album's cover art by John Williams, featuring collages of all kinds of scientific graphs, drawings and photos.

The text has L. Ron Hoover inciting Joe to learn a foreign language in case of "Joe's garage" Stick it out, midi file. Stick it out, transcription. The example above is the opening of this song.

Its general outlines are: Intro. Bars from above are the intro following an articulated rhythm: - The singers are sometimes on beat, sometimes before or after beat. As 16th notes the counting goes as , followed by In German: Theme 1, "Fick mich The slapped bass continues with playing before or after beat.

The key is B Mixolydian with some occasional chromatic notes. The last two bars from the example are its opening. In English: Theme 1, "Fuck me If it wasn't for its lyrics, "Sy Borg" could be called a ballad. Your comment: Please, log in to post your performance.

Add this song to your songbook. Current rating: 0. Transpose song:. The chord pattern is shown here.